Humano Terrarum
Light

Pieces from this collection have featured in the following exhibitions:
UPCOMINGIMEQ-ETERNAL FLUXDet Grønlandkse Hus, Copenhagen, Denmark – October 30th, 2025 to January 9th, 2026
ARCTIC TERRAINNordatlantiskhus, Odense, Denmark – April 25th to August 31st, 2024

The artist uses a digital projector to drape a series of still and moving images over the model's body - using her terrain as a topographic counterpoint to the projections. In Sermilinguaq and Iviangiussat, contours representing the landscape of actual geographic locations in Greenland are projected. In Nuuk, a natural aerial view is projected, while in Nunap isikkua 2, Greenlandic words representing aspects  of the natural environment are draped. While Greenland's topography is everywhere influenced by water, several pieces, such as the triptych of Ingerlaartuartoq II and IV and Qeqqussat, specifically explore water – glaciers, waterfalls, water vapour, the sea. The video installation, Mapa Mundi MMXXIII presents an extension of the human / nature terrain theme by using landscapes derived from widely distant worldwide locations. While exotic birdsong, tropical plants and megacities may seem distant from the Arctic, the installation reminds that the wider world strongly influences the Arctic, just as changes in the Polar regions have profound effects globally.

Sermilinguaq, from the series Human Terrarum

Sermilinguaq
54 x 54 cm
Diasec™ on ISO 9706 paper

Edition strictly limited to 9

Sermilinguaq is the 'place of my dearest, sweet glacier'. Glaciers can be daunting, inhospitable landscapes, but they are all heart – the beating heart of Greenland, regulating the weather of coastal landscapes, the level, temperature and currents of surrounding seas. Contours of this sweetest glacier, in the hills west of Sermersuut (Hamborgerland), close to the Inland Ice, drape over the model's legs and flow downward into the darkness. In the background their colour changes, to reflect the Northern Lights, all recalling the splendour and intricacy of Greenland's landscape.

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Nunap isikkua 2, from the series Human Terrarum

Nunap isikkua 2
54 x 36 cm
Diasec™ on ISO 9706 paper

Edition strictly limited to 9

The Greenlandic language is a landscape – Nunap isikkua. Its vocabulary is renowned for a richness in diversity of words describing the natural environment, not just, famously, for snow, but for landscape, sea and weather. Among the words draped over the model's landscape are qaarsoq – cliff, ujarak qarmassaq – boulders, qilak – sky, kalleq – thunder, neriusaaq – rainbow, anorersuaq – storm, qooroq – valley, kangerluk – fjord, ippik – fast-receding cliff.

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Ingerlaartuartoq IV
32 x 46 cm
Diasec™ on ISO 9706 paper

Edition strictly limited to 9

Ice, sea and cloud. Ingerlaartuartoq – always moving. This glacier, Nordre Qipisarqo Bræ, extends off the Inland Ice in Greenland's south. Slowly, relentlessly the glacier churns over the landscape, feeding rivers and sea, feeding rock flour to the algae, sea creatures. The cycle which feeds us.

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Sassuma Arnaa I
48 x 67 cm
Diasec™ on ISO 9706 paper

Edition strictly limited to 9


Invoking Sassuma Arnaa – Mother of the Sea. Still with her fingers, her hair beautiful but short. Her future mapped on her body. Before the earliest tales there was water, through the waves, and fishes and beyond, so it will also be.

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Nuuk, from the series Human Terrarum

Nuuk
68 x 54 cm
Diasec™ on ISO 9706 paper

Edition strictly limited to 9

Coming home to Nuuk presents a human landscape from the air. This landscape projected on the model recalls the effects we have on the wider environment, not only what is seen, but what is not seen. The mystery of the hidden topography lies in the places where we don't see houses and roads – where we feel the effects of our actions warming, cooling, finding feedback from the terrain.

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Still from the video Mapa Mundi MMXXIII

Map Mundi MMXXIII
1080p
Video installation


Various Mapas Mundi have existed over history – Maps of the World. With footage shot in Brisbane (Australia), Kap Agulhas – the southern tip of Africa – and Touws River (South Africa), Taipei (Taiwan) and Nuuk (Greenland), the artist paints landscapes of hot desert, tropical forest, urban environments and cold Arctic deserts over a single model. This consistency places the model as mankind, with global influence. The audience is reminded that our world has no corners. What happens worldwide has impacts in Greenland, and vice versa.

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Ingerlaartuartoq II
35 x 46 cm
Diasec™ on ISO 9706 paper

Edition strictly limited to 9

Ice, sea and cloud. Ingerlaartuartoq – always moving. The sun's heat burning off the seas and lakes to form the clouds, in turn snowing and raining onto the mountains to continue the eternal flux of water. Sustaining our landscape, sustaining us.

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Iviangiussat, from the series Human Terrarum

Iviangiussat
54 x 36 cm
Diasec™ on ISO 9706 paper

Edition strictly limited to 9

On the southern part of Maniitsoq island resides a hill – Iviangiussat. The contours representing this hillside of two, similar elevation, rounded peaks reflect symmetry and beauty in the human form – pairs of knees, breasts – two distinct parts, yet the same, like human and environment. In the background, the changing colours of the contours adopt the shimmering greens and complexity of Greenland's majestic Northern Lights.

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Qorlortoq
64 x 88 cm
Diasec™ on ISO 9706 paper

Edition strictly limited to 9

Looking out from behind the waterfall – Qorlortoq. Water descends tall cliffs of ancient magma at Sangmissoq near Greenland's southernmost point. Here, the crystal water carries its minerals as a votive offering to the swirling maelstrom of the North Atlantic.

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Qeqqussat
33 x 46 cm
Diasec™ on ISO 9706 paper

Edition strictly limited to 9

Ice, sea and cloud. Qeqqussat – seaweed – ebbs, flows, swirls and turns, curves in a constant tide, fed by the glaciers, the rivers, burning off to form the clouds.

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Contour lines, where projected on the model, were generated using data from the Polar GeoSpatial Center's ArcticDEM issued under CC-BY-4.0.

mthStudios use only the very best archive-quality materials. Each photograph is one of an editioned series strictly limited to nine prints in perpetuity. The images are realised with highest archive-quality professional materials - paper, inks, acrylic and bonding materials guaranteed under ISO 9706. Diasec acrylic lamination leads the field, typically with a maximum of one production facility licensed per country worldwide. With image integrity in excess of 200 years, each art work becomes both artwork and investment. Further information about the Diasec printing process can be found here.
All mthStudio prints are delivered with a unique serial code issued by the printer and referenced on a separate Certificate of Authenticity, embossed and signed by the artist.